You know what you can't fix with Photoshop? Taking an actual good photograph. Look past the colorizing and fliters and composites of 25 separate exposures and see if you can find a story. If there's not story, there's no photograph, just a snapshot for a scrapbook dedicated of a to some faceless hipsters feet.
Sometimes the story is what's not in the photograph. A set of sneakers, a dead soldier's boots; compositions need to tell the story, and hopefully there is one, or at least the suggestion of one. Minor White comes to mind as a master.
* [Maybe you meant, "... dedicated to some faceless hipster's sneakers."?]
You're correct James, I wrote poorly there. I feel that if I have to go out of my way to construct some "story" to make a photograph even slightly interesting, than it's no better than getting a book full of blank pages, it's not a book, but a blank diary.